Monday, October 26, 2009

Life's Creation . . .





a drama in one act
by Ray Timmins


The room is small and dark. X and Y sit with backs against the wall, staring forward. There is a soft light above their heads, directly between them, illuminating their faces dimly. There is one foot of space between X and Y. They are both androgynous, dressed in drab, baggy, unrevealing clothes. Their skin is grey and their facial expressions are stoic.


X Do you love me?
Y Yes.
X How do you know?
Y Know what?
X If you love me?
Y What would necessitate me to know?
X To know if it's true.
Y True what?
X True love, silly.
Y Oh, is there such a thing?
X I believe so, yes.
Y [Y looks around, yawns and scratches head. X shifts eyes
toward Y, slowly] Oh . . . [suddenly aware] how would I know
such a thing?—if our love is true, that is.
X Well, would you miss me if I were to leave?
Y You've never left.
X But what if I did?
Y Can't imagine it, sorry.
X Then how will you ever know?
Y [looking around] Sorry . . . know what? [Y's mouth stays
open for a bit while still looking around.]
X [slightly irritated] If our love is true?
Y [looking straight ahead] Should it be?
X Only if it is.
Y Perhaps it is, then. [Y shrugs slightly]
X But, you don't know.
Y No. I've never given it much thought. I say I love you
because I feel I do.
X [sardonically] Oh, it's just that easy, is it?
Y Yes.
X But you don't know if it's true love you feel?
Y So, if you were to leave, and I missed you, then that, would
be true love?
X [slightly nodding] Yes . . . perhaps.
Y [turning head to X] Then leave.
X [nasally] No—
Y [flippantly] Why?
X I can't!
Y Why?!
X 'Cause, I love you.
Y Oh . . . [sardonically, rolling eyes] is it true?
X Don't be that way, please.
Y [expectantly] Well, is it?
X True love?
Y Yes.
X I don't know, that's why I asked you.
Y Well, how can I prove it if you won't leave? [Y rolls eyes
and shrugs.]
X [turning to Y] Are you saying that 'cause you want me to
leave?
Y [turning to X] No, I want you to stay. [They look at each
other for a long time.]
X [softly] Why?
Y [softly] 'Cause, I love you.
X Oh. . . . [turns head away and both are silent for a moment]
Y [curiously] Any other . . . questions?
X [quickly] Do I make you happy?
Y [turning to face forward again] I suppose.
X Could you be happy without me?
Y I can't say; you are always with me, after all.
X Yes, I suppose.
Y Maybe you should leave for a while so we can see.
X I can't go.
Y Why?
X I love you.
Y Yes, and I love you and I am happy with you.
X But, how do you know?
Y [rolling eyes, slightly annoyed] Back to that again. I
thought we'd settled that.
X [face scrunched up] No, we never settle anything!
Y [pause and a long, breathy sigh, running hands through hair]
Because we're too honest with each other.
X But honesty is good—it's the first step to a successful
relationship.
Y You mean love?
X [unsure] Yes . . . I suppose. . . . [more confidently] Yes.
Y True love?
X Yes . . . that's the only kind that counts.
Y Well then, we do have honesty, yes?
X Yes, we do.
Y We could very well be in love; truly in love, yes?
X Perhaps . . . but we don't know that for certain.
Y [a bit annoyed] Why?
X [pause, X appears to be thinking hard for answer] Well . . .
you don't even know if you'll miss me if I were to leave; or
if you could be happy without me.
Y [visibly agitated, slams hands onto floor] You won't leave--
how could I know?
X [upset] I love you. Don't ask me to leave!
Y I don't want you to leave, but I do want to settle this
dispute over whether or not we are truly in love.
X [quietly] Why?
Y [calmly, sympathetically, looking into X's eyes] 'Cause, I
love you.
X [fiercely] You don't know that! If I went away, then you
could be able to tell; you may even decide you hate being with
me.
Y [retaliating] Well, we'll never know if you don't leave, will
we?
X Do you really want me to leave?
Y No.
X Then why do you keep putting it on me to leave?
Y To prove I love you.
X [more calmly] But, I can't.
Y [more calmly] Because you love me?
X Yes.
Y Then, don't leave.
X But, I want to make you happy.
Y [rolling eyes] And just what can you do to make me happy?
X Do what you want.
Y What's that?
X Leaving—that'll make you happy, right?
Y No . . . seeing you happy is what I want. In order to prove
to you I love you—which I do. I want to show you however I can.
X Then, you don't want me to leave?
Y No, I just want you to believe I love you, and if it means
missing you, then I want you to leave.
X So, you love me?
Y [holds X's hand, stares into eyes] Yes. I only want to make
you happy.
X How?
Y By doing whatever you want.
X [observantly] It seems we both want the same thing.
Y [curiously] What's that?
X To do what the other wants.
Y Why, do you suppose?
X Out of love.
Y [pause] But I can't do what you want me to do; I can't prove
that we're truly in love.
X [despondently] I'm a failure, too; I can't leave in order for
you to decide whether or not our love is true.
Y [head tilted downward] Since neither one of us can do what
the other wants, then perhaps we aren't truly in love.
X Perhaps . . . but I do want to do what you want, I just can't
because I love you.
Y And I want to do what you want, but I can't because your love
for me won't let you leave so I can prove it to you.
X [suddenly, like a revelation; bitterly] Wait!
Y [shocked] What?
X [pause, looks angrily at Y] Why don't you leave?
Y [defensively] Because, I love you!
X If you love me, you will.
Y I just want to make you happy.
X Then prove our love is true.
Y I can't; you won't leave so I can prove it.
X And you won't leave, either, 'cause you love me. [Long pause.
They are visibly frustrated, retreating into themselves and
looking about the room to avoid each other's gaze.]
Y [sighing] Let's go to sleep.
X [still angry] Good idea!

[Y gently offers hand to X; after some reluctance, X's face settles and X accepts Y's hand. They shut their eyes and tilt their heads inward, toward each other, and sleep.]


CURTAIN

Monday, October 19, 2009

8(i)=1+2=3?


Joey Engine's 3rd Dream Manifest


Ray Timmins   9.20.2009















Level-Headed Hedgehogs
tinsel memories twinkle in the
soft light of understanding;
level-headed hedgehogs bear
titanium claws from
furry paws understating the
leftovers from a stale fridge.

a Velcro spider disengages
her icy web from the eight
perfect eyes of time; perfect crimes
rest on weary shoulders while
rogues and crack babies
dance in haphazard goosesteps
over rainbows shimmering
in oily street puddles.

the car leaves the tunnel, a
malignant cough fills the night
air: ancient owls criss-cross
from above: the screaming
leaking of over-flowing heads.


metaphorical data crunching
when all stores begin to close,
lights go sullenly out,
flies gather on a blue and
orange landscape at dusk.

every interpretation, every penny,
people like intergalactic beings
composed of completely different
stuff, the stars dimming,
the universe blooming, the
future slowly brightening.

bones gather in an Amazon
rainforest—the one-eyed lemur
sees his death in petrified stills
of rapid decomposition clockwork
reclaiming the earth again.

Wednesday, October 7, 2009

=


Pandora’s Lion
two lights crept into the shadows,
the hungry aesthetics of a lion’s
roar shaking that cracked ground
beneath; water surged from the
moon drowning the math and gloom
of scattered scorpions.


a simulated sigh and a titanium smile,
tears drifted into the clouds
while the scent of alien incense lingered
in the air.


battle ensued with sex and sanity
casting spheres of flame and
limitless sparks of blue burning
the paper walls of the universe.


the words that hurt and heal leave
bare footprints that lead beyond the
hills and ancient burial mounds where
truth of love is unpronounceable but
is called upon by every sweeping breeze
and steady chill, every warm burst
of sunlight and glowing ember
in the fire.


sullen Pandora fitted the key into
her dreamy box as it phased in and
out of reality and only Hope drifted
out this time in the skin of a lion
and a crown of volcanic rock.